Rebekah Erdman is a PhD candidate in Musicology at the University of Iowa. Her primary research explores the intersection of pastoralism, gender, and nature in the music of late-nineteenth- and twentieth-century Great Britain. Rebekah’s work on The Immortal Hour, the choral drama by Rutland Boughton, has been published in The Opera Journal, and her chapter on the collection and preservation of Victorian-era ballads and folksongs is forthcoming in British Working-Class and Radical Writing Since 1700 (University of London Press).